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Da realist stream and download free plies da realist in HD Quality- Download. Da REAList is the third studio album by American rapper Plies, released by Atlantic Records on Decemin North America. denigrates classical realist work yet makes Sarrasine a source of fascination. Algernod Lanier Washington (born July 1, 1976), better known by his stage name Plies, is an American hip hop recording artist. ' Da REAList' is the second studio album by American hip hop recording artist Plies. Released on 2008.Tracks, related Albums and all Information about Da REAList. LIsten to 'Ran Off On Da Plug Twice' Listen Here. Listen to Da REAList, album by Plies for free. Plies, Da Realist Full Album Zip > /100dc. Plies, Da Realist Full Album Zip 0 replies phyldru. Listen to and download Da Last Real Nigga Left the new album from Dj Hunnit Wattz produced by Big Gates Records The newest mixtape from Florida rap phenom Plies entitled. The Real Testament Studio album by Plies Released: Aug: Recorded: 2006-2007: Genre: Southern hip hop, Dirty rap, Gangsta rap: Length: 57:36: Label: Big Gates, Slip-n-Slide, Atlantic: Producer: Akon, DJ Nasty. Definition Of Real is hosted at free file sharing service 4shared. Definition Of Real - download at 4shared. Plies - Da Last Real Nigga Left Hosted by Big Gates Records - Free Mixtape Download or Stream it. Jamie Foxx and The Dream) debuted at 2 on the Billboard 200 chart upon its June release, with sales exceeding 200,000. Plies delivers these goonish verses with the same calm drawl he uses for romantic odes like. The vast majority of black males in America are coke. DOWNLOAD LINKS: RAPIDGATOR: DOWNLOADPreviously on New. Similarly, Jeffries described the lyrical content of Da REAList as having 'a spectrum that runs from. David Jeffries of AllMusic described Plies's debut album The Real Testament as tracks covering both gang life and love.

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2008 For someone who is constantly derided for his less-than-profound rhyme skills, Plies makes several bold choices that separate Da REAList from its competition.

Without a distinguishing voice or idea, Realist feels like the mold from which better rap albums are made, a blank form woefully void of substance or flavor.Defenstar. Plies is not the only rapper whose persona is this paper thin, but he seems so intent on presenting the bare minimum that there’s no reason to overlook it. His interests include pussy (“Spend the Night,” “Streetlight”), his reputation (“Heard of Me”), and automatic weapons (“Fuck U Gon Do About It”). Despite this reputation, he’s a devoted family man (“Family Straight”) who remains faithful to his woman (“Want It, Need It”), and who’s worried about issues in his community (“2nd Chance”). From the album’s 16 songs we learn that Plies is a man who’s serious about making money (“Plenty Money”), who does so through illegal means (“I Chase Paper”), and who maintains a strong connection with the streets (“Gotta Be,” “All Black”). There is, thankfully, a gangsta template for him to cling to, which he does, utterly, leaving Realist as little more a handy checklist of exhausted rap stereotypes. Plies runs the gamut of topics on Da REAList and offers some surprises for neophytes to his rhymes. Aside from wilted beats and a constant dearth of energy, Plies displays a penchant for repetition and an apparent allergy to wit. Opener “Me and My Goons” establishes the tone quickly and clearly, laying out all of Plies’s overbearing faults in one gooey, molasses-tempo slog. This is an album that’s short on everything but swagger. Without a distinguishing voice or idea, Realist feels like the mold from which better rap albums are made, a blank form woefully void of substance or flavor. Da Realist, his third album in a little more than a year, provides a twisted mirror of the current state of hip-hop, one where the faults are all magnified and the bright spots strangely absent. Plies is not the only rapper whose persona is this paper thin, but he seems so intent on presenting the bare minimum that there’s no reason to overlook it.

Vibe calls Plies “The Future of Rap” on its December cover, but the Florida rapper, draped in platinum and a thick glaze of willful dopiness, is more a troubling reflection of the genre’s present.